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England and Wales High Court (Chancery Division) Decisions |
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You are here: BAILII >> Databases >> England and Wales High Court (Chancery Division) Decisions >> The Creative Foundation v Dreamland Leisure Ltd & Ors [2016] EWHC 859 (Ch) (25 April 2016) URL: http://www.bailii.org/ew/cases/EWHC/Ch/2016/859.html Cite as: [2016] EWHC 859 (Ch) |
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CHANCERY DIVISION
Strand, London, WC2A 2LL |
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B e f o r e :
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THE CREATIVE FOUNDATION |
Claimant |
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- and - |
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DREAMLAND LEISURE LIMITED JEREMY MICHAEL GODDEN JORDAN HARRY GODDEN |
Defendants |
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- and - |
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ROCHELLE GODDEN |
Costs Defendant |
____________________
Romie Tager QC (instructed by Brook Martin & Co) for the Costs Defendant
Hearing date: 8 April 2016
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Crown Copyright ©
MR JUSTICE ARNOLD :
Introduction
"In relation to the legal costs which of course included those relating to the company and Jeremy and Jordan Godden, the arrangement was that such costs would be paid on behalf of the company, Jeremy and Jordan by Mrs Rochelle Godden as the company was not then in a position to fund unbudgeted legal costs. This is the only information that Mr Godden is able to provide either today or during any examination next week."
In the light of that statement, the Foundation withdrew the application for the examination of Jeremy.
Applicable principles
"25. (1) Although costs orders against non-parties are to be regarded as 'exceptional', exceptional in this context means no more than outside the ordinary run of cases where parties pursue or defend claims for their own benefit and at their own expense. The ultimate question in any such 'exceptional' case is whether in all the circumstances it is just to make the order. It must be recognised that this is inevitably to some extent a fact-specific jurisdiction and that there will often be a number of different considerations in play, some militating in favour of an order, some against. (2) Generally speaking the discretion will not be exercised against 'pure funders', described in para 40 of Hamilton v Al Fayed (No 2) [2003] QB 1175, 1194 as 'those with no personal interest in the litigation, who do not stand to benefit from it, are not funding it as a matter of business, and in no way seek to control its course'. In their case the court's usual approach is to give priority to the public interest in the funded party getting access to justice over that of the successful unfunded party recovering his costs and so not having to bear the expense of vindicating his rights. (3) Where, however, the non-party not merely funds the proceedings but substantially also controls or at any rate is to benefit from them, justice will ordinarily require that, if the proceedings fail, he will pay the successful party's costs. The non-party in these cases is not so much facilitating access to justice by the party funded as himself gaining access to justice for his own purposes. He himself is 'the real party' to the litigation, a concept repeatedly invoked throughout the jurisprudence … Nor, indeed, is it necessary that the non-party be 'the only real party' to the litigation …, provided that he is 'a real party in … very important and critical respects' …..
29. … generally speaking, where a non-party promotes and funds proceedings by an insolvent company solely or substantially for his own financial benefit, he should be liable for the costs if his claim or defence or appeal fails. As explained in the cases, however, that is not to say that orders will invariably be made in such cases, particularly, say, where the non-party is himself a director or liquidator who can realistically be regarded as acting rather in the interests of the company (and more especially its shareholders and creditors) than in his own interests.
…
33. … The authorities establish that, whilst any impropriety or the pursuit of speculative litigation may of itself support the making of an order against a non-party, its absence does not preclude the making of such an order."
"… it cannot be right to make an order under section 51(3) of the 1981 Act unless the court is satisfied that the conduct of the party against whom the order is to be made has been causative of the costs which have been incurred by the person [applying for] the order. There must be a sufficient causal link between the person who is to pay the costs and the incurring of those costs. What is necessary is to determine whether the conduct complained of is really an effective cause of the costs incurred."
Factual background
The Godden family
Dreamland
"1. The CPO issued by Thanet District Council against the Dreamland site.
2. The loss of the Banksy litigation.
3. The pressure applied by Barclays Bank in relation to the company's facilities.
4. The reversal of the Rank Group tribunal tax case.
5. The death of Mr James Godden."
The Jim Godden Memorial Trust
The underlying proceedings
Factors relevant to the exercise of the Court's discretion
Funding
"There was never any discussion by me with Mrs Godden regarding the payment of my firm's fees and disbursements relating to these proceedings. As a result of my initial discussion with Jeremy, and then Jordan, there was no doubt in my mind that Dreamland, Jeremy and Jordan were jointly and severally liable for my firm's fees and disbursements and that, as Brook Martin's clients, they clearly understood this."
"At the time Brook Martin were retained, there were no discussions between me and either Jeremy or Jordan regarding the way Brook Martin would be paid for their professional work."
This evidence solely relates to the position at the time that Brook Martin was retained.
"I had given no indication to Jeremy and Jordan, let alone to Brook Martin, that I would in any way accept financial responsibility for Dreamland's legal costs or indeed for those of Jeremy and Jordan."
This evidence echoes the evidence of Jeremy quoted in paragraph 35 above.
Benefit
Control
"9. I had discussions with Jeremy about what had happened and it was agreed that I would deal with the matter as best I could only behalf of Dreamland. I sought legal advice from Dreamland's solicitors, Brook Martin & Co, as to the position under the Lease and Dreamland's obligation. … Dreamland was advised in relation to its repairing obligations under the Lease. I discussed that advice with Jeremy.
10. I looked online to see what was the best way of dealing with the removal of graffiti such as the Banksy. It was how I came into contact with Mr Barton …
11. Mr Barton told me that we needed to deal with the Banksy … Mr Barton also said that he would meet as soon as possible, as he had been dealing with such Banksys over several years and would be able to advise as to what to do in all the circmstances.
12. Mr Barton's advice was …
13. Mr Barton also told us …
14. I discussed with Jeremy the advice that Mr Barton had given … In the light of that advice … Jeremy on behalf of Dreamland made the decision to have [the Mural] removed from the Building … "
Rochelle went on to deal with the proposed sale of the Mural and the donation of the proceeds to JGMT, as discussed above.
"[Jeremy] asked me if I would, on behalf of Dreamland, contact Mr Robin Barton … to discuss our options. … Jeremy told me that Mr Barton is considered to be a Banksy expert. Jeremy said that as he would welcome my help on this."
In my view it does not matter for present purposes whether Rochelle identified Mr Barton herself or whether Jeremy identified Mr Barton and asked Rochelle to contact him.
"19. … I had to speak and deal with Mr Martin from time to time, either in my capacity as a witness in the light of my involvement with the Banksy at the relevant time and also in relation to any other relevant information which I might have had from time to time, and as a go-between with Mr Martin on behalf of Jeremy and Jordan.
20. … There were a number of occasions when Jeremy and Jordan discussed with me a point which had arisen because of my involvement and because they looked to me for advice. On each of these occasions it was them – not me – who took the final decision in question.
…
22. … I became aware that a summary judgment application had been issued against Dreamland, and that discussions had taken placed in relation to the instructions to be given to Mr Martin to defend this application. I was involved in these discussions. I had evidence that I was a in a position to give but it is quite wrong to suggest that I controlled the decision to defend the application in any way. …"
"26. There were several attempts at settlement and I believe one came via Mr Martin. I then spoke to Jeremy and Jordan who decided to try and use Mr Emson as a go-between to try and negotiate a deal with Sir Roger [de Haan of the Foundation]. We felt that with everything that was going on all of it was unnecessary and we couldn't understand why Sir Roger had not just contacted me to try and resolve this. … I therefore spoke to Mr Emson on behalf of Jeremy, Jordan and Dreamland and he said that he would call Sir Roger.
27. … Mr Emson made some proposals to Sir Roger which were all turned down and Sir Roger made a counter offer which Jeremy and Jordan decided not to accept. …
28. Throughout this period I was not in any sense in control of the negotiations for a settlement. In relation to every offer and counter offer, this was discussed with Jeremy and Jordan. It was their decision to either make an offer or how to respond to any counter offer made. … "
"Further to our conversation, I am setting out below the offer we would like made. You can have some leeway on this as obviously we would like to settle without incurring any further costs."
On 28 July 2015 Mr Emson sent Linda Hogben of the Foundation an email, copied to Rochelle, saying:
"I have spoken with Rochelle and you will not be surprised to hear that the counter offer is unacceptable."
"Businesswoman Rochelle Godden has reacted angrily to the news that the Creative Foundation has won the battle over ownership of the Banksy artwork which appeared on the wall of Palace Amusements in Rendezvous Street last year.
…
Speaking to the Herald, Mrs Godden said:
'The whole thing is disgusting. We made Roger de Haan several offers and now our charity … has lost out - three times. Firstly on what we might have got for selling the work in the first place; secondly for the fact that he has paid out legal fees of around £250,000 which we may have to pay and thirdly because we incurred our own legal fees.
'He could have simply bought the piece from us for the same price as his legal fees.'"
The position of Jeremy and Jordan
Conclusion