BAILII is celebrating 24 years of free online access to the law! Would you consider making a contribution?
No donation is too small. If every visitor before 31 December gives just £1, it will have a significant impact on BAILII's ability to continue providing free access to the law.
Thank you very much for your support!
[Home] [Databases] [World Law] [Multidatabase Search] [Help] [Feedback] | ||
England and Wales High Court (Chancery Division) Decisions |
||
You are here: BAILII >> Databases >> England and Wales High Court (Chancery Division) Decisions >> Lifestyle Equities CV v The Copyrights Group Ltd & Ors [2021] EWHC 1212 (Ch) (10 May 2021) URL: http://www.bailii.org/ew/cases/EWHC/Ch/2021/1212.html Cite as: [2021] EWHC 1212 (Ch) |
[New search] [Printable PDF version] [Help]
BUSINESS AND PROPERTY COURTS OF ENGLAND AND WALES
CHANCERY DIVISION
INTELLECTUAL PROPERTY LIST (ChD)
The Royal Courts of Justice 7 Rolls Buildings Fetter Lane London EC4A 1NL |
||
B e f o r e :
____________________
(1) LIFESTYLE EQUITIES CV (2) LIFETYLE LICENSING BV |
Claimants |
|
- and – |
||
(1) THE COPYRIGHTS GROUP LIMITED (2) NICHOLAS FRANCIS DURBRIDGE (3) GREENWICH POLO CLUB INC (4) PJB BRANDS LIMITED (5) MAKEZO LIMITED (6) GEORGE CHRISTIDIS & CO EE (7) VISION AP DWW-LLC (8) FIBERTEX MON IKE |
Defendants |
____________________
Mr Roger Wyand, QC and Mr Andrew Norris, QC (instructed by Edwin Coe LLP) for the First, Second and Third Defendants
Hearing dates: 4, 5, 8 and 9 February 2021, with subsequent written submissions
____________________
Crown Copyright ©
CONTENTS | ||
A. |
INTRODUCTION | |
B. |
THE TRIAL AND THE EVIDENCE | |
(1) |
General matters | |
(2) |
The Claimants' witness: Mr Haddad | |
(3) |
The Defendants' witnesses | |
C. |
THE "BRAND" AND THE CLAIMANTS' BUSINESS | |
(1) |
The "Brand" | |
(2) |
Split ownership of the Brand | |
(3) |
The Claimants' trade marks | |
D. |
THE LAW REGARDING INFRINGEMENT | |
(1) |
Introduction | |
(2) |
Article 9(2)(b) and section 10(2) | |
(3) |
Article 9(2)(c) and section 10(3) | |
(4) |
Passing off | |
E. |
INFRINGEMENTS IN THIS CASE | |
(1) |
The allegations: an overview | |
(2) |
The case against D5, D6, D7 and D8 | |
(i) |
The allegations | |
(ii) |
The defence of the First, Second and Third Defendants | |
(iii) |
The facts | |
(iv) |
Infringement under Article 9(2)(b) and/or section 10(2) | |
(v) |
Infringement under Article 9(2)(c) and/or section 10(3) | |
(3) |
The case against the Defendants | |
(i) |
Approach | |
(ii) |
The First Defendant, the Copyrights Group | |
(iii) |
The Third Defendant, Greenwich Polo Club | |
(iv) |
The Second Defendant. Mr Durbridge | |
F. |
CONCLUSIONS AND DISPOSITION |
Mr Justice Marcus Smith:
A. INTRODUCTION
I shall refer to it as the Logo.[1] It will, of course, be necessary to delineate more clearly the precise marks that the Claimants rely upon, but the various marks are materially similar to the Logo and the parties (very sensibly) did not make anything of the (immaterial) differences.
(1) The claims advanced by the Claimants against the Fifth to Eighth Defendants have been stayed pending the determination of the matters arising in this trial. Although I intend to say nothing more about these defendants, the claims against these defendants are material as regards the claims that are advanced by the Claimants against the First, Second and Third Defendants. I shall, therefore, refer to these defendants as D5 to D8.
(2) The Fourth Defendant – PJB Brands Limited – refers either to a company incorporated in Cyprus (which closed in 2015) or to a similarly named company incorporated in Greece (which closed in 2018). Neither company has taken an active role in this litigation and (for the sake of neatness, if nothing else) the claims against this defendant should be dismissed without more. I do not consider that a stay would be appropriate, because that would imply a prospect of or purpose to the resumption of the claims against the Fourth Defendant, which is not the case. I make clear now that – from a perspective of costs – nothing is to be read into this dismissal of these claims. It arises simply because the Fourth Defendant does not appear to be an extant company, and it is not within my power, given that it is a foreign company, to restore it to whatever register it might be restored to.
(3) That leaves the First, Second and Third Defendants, who have (represented by the same legal team) taken an active part in defending the claims brought against them by the Claimants. It is necessary to differentiate between them, for their commercial roles are very different. Where I refer to them collectively, I do so as the Defendants.
(4) The Third Defendant – Greenwich Polo Club Inc (Greenwich Polo Club) – is a company incorporated in the State of Connecticut in the United States of America. It, and its relationship with the First and Second Defendants, is most clearly described in paragraph 6 of the Defendants' written opening submissions:
"[Greenwich Polo Club] is a polo club in Greenwich, Connecticut, USA. It is one of the leading polo clubs in the World and has, as one would expect, produced merchandising using its own branding for years. In the late 1990s, it decided to expand that merchandising and the services of the First Defendant…were engaged. [The First Defendant] is a licensing agency representing writers, artists and brand owners around the World. It licenses well-known assets such as Paddington Bear, Peter Rabbit and The Snowman. It has, over the years, been perceived as one of the leading global players in this market. The Second Defendant…is a director of the [First Defendant]. He was Chairman and CEO until 2016…"
Thus, it is Greenwich Polo Club that is the owner of the "Greenwich Polo Club" brand and of the various marks that I shall come to describe. These marks are managed and licensed by the First Defendant as Greenwich Polo Club's agent. I shall generally refer to the First Defendant as the Copyrights Group. The Second Defendant is Mr Nicholas Durbridge and I shall refer to him by his name. Mr Durbridge is the founder of the Copyrights Group and (in addition to other roles and designations within the Copyrights Group, which are not material) he is sued as a director of the Copyrights Group. Mr Durbridge has been a director since the Copyrights Group was incorporated.
(1) What I shall refer to as Greenwich Sign 1 is:
(2) Greenwich Sign 2 is:
(3) Greenwich Sign 3 is:
(4) Greenwich Sign 4 – which was also referred to as the "New Logo" – is as follows:
I shall refer to these signs collectively as the Greenwich Signs.
(1) Section B describes the manner in which the trial was conducted and the evidence before me, in particular the oral evidence.
(2) Section C describes the Claimants' brand and the various marks on which they rely.
(3) Section D considers the relevant law underlying the infringement allegations made by the Claimants.
(4) Section E sets out, considers and determines the various allegations of infringement advanced by the Claimants.
B. THE TRIAL AND THE EVIDENCE
(1) General matters
(2) The Claimants' witness: Mr Haddad
(3) The Defendants' witnesses
(1) Ms Mariana Castro. At the time she gave her witness statemement (28 February 2020, Castro 1), Ms Castro was the director of events and marketing at Greenwich Polo Club. Since then, she had moved on to other work, but remained in close touch with Greenwich Polo Club. She was obviously an enthusiast of the sport, and explained (in both her written and her oral evidence) the business relationship that existed between Greenwich Polo Club and the Copyrights Group and – within the Copyrights Group – Mr Durbridge. Ms Castro gave her evidence briefly on Day 2, and was a transparently honest and helpful witness.
(2) Mr Nicholas Durbridge. Mr Durbridge, the Second Defendant, is in a sense Mr Haddad's "opposite number", although of course the Copyrights Group does not own the rights to the Greenwich Signs but licenses them on behalf of Greenwich Polo Club. Like Mr Haddad, Mr Durbridge was clearly knowledgable and expert about his business, and I accept his evidence entirely. Unlike Mr Haddad, he was an expansive witness, and I got a far better impression of the business of Copyrights Group from Mr Durbridge than I did about the Claimants' business from Mr Haddad. That is not a criticism of Mr Haddad, nor particularly praise of Mr Durbridge: this simply reflects the very different ways in which they gave their evidence. Mr Durbridge gave a witness statement dated 9 March 2020 (Durbridge 1) and gave evidence orally on Day 2.
(3) Mr Howard Davis. Mr Davis is the chair of Ham Polo Club, and has been involved in the Club for many years. He gave one witness statement (Davis 1) dated 8 March 2020 and gave evidence orally on Day 2.
(4) Mr John Moreland-Lynn. Mr Moreland-Lynn is the founder of the heritage-lifestyle brand Polistas, which is a brand selling high-quality polo apparel for playing in and also for use off the polo field. He gave a witness statement dated 4 March 2020 (Moreland-Lynn 1), and gave evidence orally on Day 2. Mr Moreland-Lynn was clearly a polo enthusiast and gave his evidence enthusiastically and emphatically. He was at pains to make clear his disdain for "fake" brands, as he saw the Claimants' brand. By "fake" he meant that such brands did not represent a club nor particularly the sport of polo. I am not sure how far I was assisted by this evidence; indeed, without in any way doubting Mr Moreland-Lynn's evidence, I found it of limited use.
(5) Mr James Morrison. Mr Morrison is the chair and chief executive of Royal County of Berkshire Polo Club Ltd. He gave a single witness statement dated 3 March 2020 (Morrison 1). He gave oral evidence briefly on Day 3. I accept his evidence, but found it of peripheral use.
(6) Mr Simon Miles. Mr Miles is a solicitor and a partner in the firm of Edwin Coe LLP. He gave formal evidence as to certain purchases made by way of Amazon (using the amazon.co.uk website) in a statement dated 9 March 2020 (Miles 1), on which he was cross-examined briefly on Day 3. He gave his evidence succinctly and clearly.
(1) Mr Paul Berrington – the former manager of the Fourth Defendant – gave a witness statement dated 9 March 2020 (Berrington 1). He was not required to attend for cross-examination, and I accept his evidence.
(2) By a notice made under the Civil Evidence Act 1995 dated 9 March 2020, the Defendants sought to adduce into evidence:
(a) The witness statement of Ms Anna Dalla Val dated 1 February 2020 and the accompanying exhibits to her witness statement as contained in the exhibits to Durbridge 1. In fact, the substance of Ms Dalla Val's statement – to the extent the Defendants sought to rely upon it – was incorporated into Durbridge 1 itself, and no separate statement from Ms Dalla Val was either adduced or relied upon by the Defendants.
(b) The witness statements of Mr Michael Amoore dated 31 October 2012 (Amoore 1) and 2 October 2013 (Amoore 2) and the accompanying exhibits as contained in Morrison 1.
C. THE "BRAND" AND THE CLAIMANTS' BUSINESS
(1) The "Brand"
"4. The Claimants own and manage rights in the internatonal fashion brand BEVERLY HILLS POLO CLUB (the Brand). The Brand was established in 1982 by two students in California inspired by both the luxury and heritage of Beverly Hills. The Brand captures the excitement of the sport "polo", along with the exclusivity and camaraderie of membership of a private club. Polo was first played as early as 600 BC and is arguably the oldest team sport. Embraced by Moghuls and Viceroys, Barons and Princes, Tycoons and Movie Stars the world over, it is befitting to know this sport as that "of Kings".
5. Beverly Hills is one of the world's most luxurious cities. It is renowned as a home to movie stars and millionaires. It is adjacent on its Eastern side to the city of West Hollywood and then the Hollywood district of Los Angeles (while Beverly Hills is part of the Los Angeles conurbation, it is in fact a separate administrative area).
6. The Brand was immediately successful in the USA and rapidly emerged as a global brand with premium positioning. The mission of the Brand is to offer "affordable luxury" to the rising middle-class consumer. The target customer is an upwardly mobile, young urban professional who is inspired by global fashion and trends...
7. A key element of the Brand is the Claimants' logo trade mark [i.e., the Logo] which is presented with the words BEVERLY HILLS POLO CLUB in combination with the image of a charging polo pony, the rider and the polo stick or mallet...The [Logo] has been used consistently since the inception of the Brand and I believe it is iconic."
(2) Split ownership of the Brand
(1) Japan;
(2) China;
(3) Hong Kong;
(4) The Republic of Korea;
(5) Indonesia;
(6) Malaysia;
(7) Singapore;
(8) Taiwan;
(9) Philippines;
(10) Thailand;
(11) Brunei;
(12) Vietnam;
(13) Laos;
(14) Union of Myanmar; and
(15) Cambodia.
I shall refer to the Brand rights in respect of these countries as the Asian Territories. Subsequently, Young Sangyo Co Ltd sold the rights in China to a company named Wah Sing.[3] The precise ownership of the Brand rights in the Asian Territories is immaterial, provided it is borne in mind that these rights have nothing to do with the Claimants.
(3) The Claimants' trade marks
FORM OF REGISTRATION OR PROTECTION |
CLASSES OF GOOD, PRODUCT OR SERVICE |
REGISTRATION DATE |
EUTM 005482484 |
Class 25 ...Clothing, footwear, headgear... |
1 Oct 2007 |
EUTM 008546469 |
Class 3 ...soaps; perfumery, ...hair lotions... Class 18 ...Goods made of leather and imitations of leather, not included in other classes... Class 24 ...Textiles and textile goods, not included in other classes; bed and table covers... Class 25 ...Clothing, footwear, headgear... |
10 May 2010 |
EUTM 000364257 |
Class 18 ...luggage... |
27 Nov 1998 |
EUTM 000532895 |
Class 14 ...watches... |
3 Jun 1999 |
EUTM 015737653 |
Class 3 ...Perfumes; colognes; body sprays; toilet water; soap; skin moisturisers and creams; shower gels, shaving creams, shaving lotions, shaving gels; shampoos; hair gels, hair creams; ...skin lotions, facial lotions, body lotions, hand creams; deodorants and anti-perspirants; after shave lotions... Class 18 ...Luggage; hand bags; sport bags; beach bags; carry-on bags; clutch bags; trunks and travelling bags; school bags; shoulder bags; shopping bags; tote bags; rucksacks; backpacks; duffel bags; cosmetic bags; briefcases; suitcases; holdalls; purses; wallets; leather key chains; business card cases; umbrellas; parasols; walking sticks... Class 24 ...Towels; bath towels; hand towels; kitchen towels; beach towels; bath linen; bed blankets; bed clothes; bed covers; bedspreads; duvet covers; bed linen; pillowcases; pilot covers; face towels of textile; handkerchiefs of textile; household linen; linen cloth; place mats, not of paper; sheets [textile]; tablecloths, not of paper; table linen, not of paper; tablemats, not of paper; table napkins of textile; textile material; towels of texile... Class 25 ...Clothing, ...footwear, ...headwear... |
9 Jan 2017 |
UK Mark 1259226 |
Until 20 April 2018 Class 25 ...Articles of clothing; but not including footwear... Since 20 April 2018 Class 25 ...men's clothing; excluding footwear and headgear... |
30 Jan 1986 |
D. THE LAW REGARDING INFRINGEMENT
(1) Introduction
(1) Infringe or threaten to infringe the EUTMs contrary to Article 9(2)(b) and/or (c) of Regulation 2017/1001 on the European Union Trade Mark (the Regulation) and the equivalent provisions of the preceding Regulations on the European Union Trade Mark and/or on the Community Trade Mark.[8] Article 9 of the Regulation materially provides:
"Without prejudice to the rights of proprietors acquired before the filing date or the priority date of the EU trade mark, the proprietor of that EU trade mark shall be entitled to prevent all third parties not having his consent from using in the course of trade, in relation to goods or services, any sign where:
...
(b) the sign is identical with, or similar to, the EU trade mark and is used in relation to goods or services which are identical with, or similar to, the goods or services for which the EU trade mark is registered, if there exists a likelihood of confusion on the part of the public; the likelihood of confusion includes the likelihood of association between the sign and the trade mark;
(c) The sign is identical with, or similar to, the EU trade mark irrespective of whether it is used in relation to goods or services which are identical with, similar to or not similar to those for which the EU trade mark is registered, where the latter has a reputation in the Union and where use of that sign without due cause takes unfair advantage of, or is detrimental to, the distinctive character or the repute of the EU trade mark."
(2) Infringe or threaten to infringe the UK Mark contrary to sections 10(2) and/or (3) of the Trade Marks Act 1994 (the Act).[9] Section 10 materially provides:
"(2) A person infringes a registered trade mark if he uses in the course of trade a sign where because –
(a) the sign is identical with the trade mark and is used in relation to goods or services similar to those for which the trade mark is registered, or
(b) the sign is similar to the trade mark and is used in relation to goods or services identical with or similar to those for which the trade mark is registered,
there exists a likelihood of confusion on the part of the public, which includes the likelihood of association with the trade mark.
(3) A person infringes a registered trade mark if he uses in the course of trade, in relation to goods or services, a sign which –
(a) is identical with or similar to the trade mark,
...
where the trade mark has a reputation in the United Kingdom and the use of the sign, being without due cause, takes unfair advantage of, or is detrimental to, the distinctive character or the repute of the trade mark.
(3A) Subsection (3) applies irrespective of whether the goods or services in relation to which the sign is used are identical with, similar to or not similar to those for which the trade mark is registered."
(3) Constitute the tort of passing off.[10]
(2) Article 9(2)(b) and section 10(2)
(1) The use of a sign by a third party within the relevant territory. It will be necessary, in this case, to be very clear what the "use" of the "sign" is in this case: that is a very fact-dependent inquiry, which it would be premature to anticipate. However, it is appropriate to say something about the "relevant territory". In the case of an infringement under the Act, the relevant territory is the United Kingdom. In the case of the Regulation, it is the territory of the EU, including the United Kingdom. Following IP Completion Day (which was 11pm on 31 December 2020), EUTM protection does not extend to the United Kingdom, but has been replaced by the creation of a comparable trade mark, applying within the United Kingdom.
(2) The use must be in the course of trade. Kerly notes that "use in the course of trade calls for use in the context of a commercial activity with a view to economic advantage, and not as a private matter".[12] Moreover:[13]
""Trade" is defined in section 103(1) of the [Act] as including any business or profession and will include leasing, hire purchase and the like. However, it is to be noted that, for the purposes of infringement, the trade does not necessarily have to be in the goods or services the subject of the registration. Activities in the course of trade include communications, for example by way of orders and invoices, with suppliers and trade customers."
(3) The use must be without the consent of the proprietor of the trade mark. At least for purposes of the Regulation, the issue of whether there has been consent to the use of the sign is to be given a uniform interpretation throughout the EU. Consent may be given either by the proprietor or by a licensee of the proprietor, acting within the terms of a licence granted by the proprietor. Consent must be given by a party who has the right to control the use of the registered mark as a matter of trade mark law.[14]
(4) The sign used by the third party must be identical with or similar to the trade mark. The registered mark and the sign alleged to infringe must be identical or similar; if they are not, the distinctiveness of the mark and the fact that the goods or services are identical are irrelevant. The condition of similarity requires the existence, in particular, of elements of visual, aural or conceptual similarity.[15] More specifically:
(a) In order to assess the degree of similarity between the marks concerned, it is necessary to consider – as has been noted – their visual, oral or conceptual similarity. Where appropriate, the importance of these different aspects must be evaluated, taking account of the category of goods and services in question and the circumstances in which they are (or are to be) marketed.[16]
(b) Generally speaking, it is the overall impression of the marks that falls to be considered. Kerly notes:[17]
"The global appreciation of the likelihood of confusion must, as regards the visual, aural or conceptual similarity of the marks in question, be based upon the overall impression created by them, bearing in mind, in particular, their distinctive and dominant components. The perception of marks in the mind of the average consumer of the category of goods or services in question plays a decisive role in the global appreciation of the likelihood of confusion. The average consumer normally appreciates a mark as a whole and does not proceed to analyse its various details."
(c) The distinctiveness of the earlier mark can be a highly material factor:[18]
"The more distinctive the earlier mark, the greater will be the likelihood of confusion: this is a proposition that "can lead to error if applied simplistically" cautioned the Appointed Person (I Purvis, QC) in Kurt Geiger v. A-List Corporate Ltd, before noting that "[i]t is always important to bear in mind what it is about the earlier mark wich gives it distinctive character. In particular, if distinctiveness is provided by an aspect of the mark which has no counterpart in the mark alleged to be confusingly similar, then the distinctiveness will not increase the likelihood of confusion at all. If anything, it will reduce it." A mark may have a particularly distinctive character either per se (or, as is sometimes said, inherently), or because of the reputation it enjoys with the public as a result of use."
(d) Account is to be taken of the fact that the average consumer will only rarely have the marks side-by-side in order to make a direct comparison between them, and instead must place his or her trust in what will be an imperfect recollection. Furthermore, the average consumer's level of attention is likely to vary according to the category of goods or service in question.[19]
(e) The degree of similarity between the goods or services identified by the respective marks is also relevant. In this regard, the "interdependency" principle comes into play. A global assessment of the likelihood of confusion implies an interdependence between the various relevant factors. Thus, when considering overall similarity, a lesser degree of similarity between goods and services may be offset by a greater degree of similarity between the marks, and vice versa.[20] The similarity between goods and services must be considered by reference to the goods or services covered by the specifications of the marks at issue; however, the classification of goods under the Nice Classification is an administrative one: goods and services are not axiomatically similar because they appear under the same class, nor axiomatically different because they appear under different classes.[21]
(f) Confusion may be direct or indirect. "Direct" confusion arises where the marks in question are mistaken for each other; "indirect" confusion exists where the similarities lead the consumer to form the mistaken view that they originate from the same or linked undertakings.[22]
(g) Confusion is not, however, a binary outcome. It is more nuanced than that. As Arnold J noted in Interflora v. Marks & Spencer:[23]
"This is not a binary question: is the average consumer confused or is the average consumer not confused? Rather, it requires an assessment of whether it is likely that there is, or will be, confusion, applying the standard of perspicacity of the average consumer. It is clear from the case law that this does not mean likely in the sense of more probable than not. Rather, it means sufficiently likely to warrant the court's intervention."
(5) The sign must be used in relation to goods or services which are identical with or similar to those for which the trade mark is registered. Kerly notes:[24]
"The goods or services that are the subject of the registered mark and those that are the subject of any alleged infringing use must be identical or similar. It appears that this is not only a relevant matter to take into account in assessing the likelihood of confusion but is also a threshold requirement before infringement can be found under this provision."
As Mr Hobbs QC, sitting as a Deputy High Court Judge, noted in Daimler AG v. Sany Group Co Ltd:[25]
"Liability is clearly not confined to situations in which the parties are (or will be) traders engaged in a common field of activity under the mark(s) at issue. Quite how far beyond that a claim for protection against the likelihood of confusion can extend consistently with the requirement for 'similarity' between the goods (or services) at issue is a matter on which there is room for more than one view."
A good example of the difficulty in assessing this threshold requirement is given by Kerly:[26]
"The claimant was the proprietor of the mark "Viagra", registered in Class 5 in respect of veterinary preparations and pharmaceutical substances. The defendant proposed to market a beverage to be used as a mixer under the sign "Viagrene". It became apparent that the defendant proposed to market its product as a drink capable of stimulating the libido of men and women by incorporating a natural herb which was thought to act directly on the reproductive organs. Held that, once considered in the light of the defendant's intention, the similarity between the goods became more pronounced and infringement under section 10(2) was established."
(6) The use must give rise to a likelihood of confusion. The sort of likelihood of confusion required to satisfy this provision is confusion as to origin. It is not enough for the later mark to call the earlier mark to mind, if there is not some misapprehension as to the origin of the goods or services.[27] In Specsavers International Healthcare Ltd v. Asda Stores Ltd,[28] Kitchin LJ endorsed the following summary of the key principles:
"On the basis of these and other cases the Trade Marks Registry has developed the following useful and accurate summary of key principles sufficient for the determination of many of the disputes coming before it:
(a) the likelihood of confusion must be appreciated globally, taking account of all relevant factors;
(b) the matter must be judged through the eyes of the average consumer of the goods or services in question, who is deemed to be reasonably well informed and reasonably circumspect and observant, but who rarely has the chance to make direct comparisons between marks and must instead rely upon the imperfect picture of them he has kept in his mind, and whose attention varies according to the category of goods or services in question;
(c) the average consumer normally perceives a mark as a whole and does not proceed to analyse its various details;
(d) the visual, aural and conceptual similarities of the marks must normally be assessed by reference to the overall impressions created by the marks bearing in mind their distinctive and dominant components, but it is only when all other components of a complex mark are negligible that it is permissible to make the comparison solely on the basis of the dominant elements;
(e) nevertheless, the overall impression conveyed to the public by a composite trade mark may, in certain circumstances, be dominated by one or more of its components;
(f) and beyond the usual case, where the overall impression created by a mark depends heavily on the dominant features of the mark, it is quite possible that in a particular case an element corresponding to an earlier trade mark may retain an independent distinctive role in a composite mark, without necessarily constituting a dominant element of that mark;
(g) a lesser degree of similarity between the goods or services may be offset by a greater degree of similarity between the marks, and vice versa;
(h) there is a greater likelihood of confusion where the earlier mark has a highly distinctive character, either per se or because of the use that has been made of it;
(i) mere association, in the strict sense that the later mark brings the earlier mark to mind, is not sufficient;
(j) the reputation of a mark does not give grounds for presuming a likelihood of confusion simply because of a likelihood of association in the strict sense;
(k) if the association between the marks causes the public to wrongly believe that the respective goods [or services] come from the same or economically linked undertakings, there is a likelihood of confusion."
At [87], Kitchin LJ noted:
"In my judgment the general position is now clear. In assessing the likelihood of confusion arising from the use of a sign the court must consider the matter from the perspective of the average consumer of the goods or services in question and must take into account all the circumstances of that use that are likely to operate in that average consumer's mind in considering the sign and the impression it is likely to make on him. The sign is not to be considered stripped of its context."
(3) Article 9(2)(c) and section 10(3)
(1) The registered trade mark has a reputation in the relevant territory. The registered mark must have a reputation in the United Kingdom (in the case of a national registration) or in the EU (in the case of an EUTM). It is not necessary that this reputation extend over the whole of the relevant territory, but it must exist in a significant part of it. In the context of an EUTM, reputation within a single Member State may suffice. Of reputation, Kerly says this:[30]
"There is no express requirement as to the extent of the reputation necessary, although the degree of required recognition must be considered to be reached when the mark is known by a significant part of the public concerned by the products or services covered by the trade mark. The relevant public comprises those concerned by the trade mark, such as those depending on the product or service marketed, either the public at large or a more specialised public. For example, traders in a specific sector. Where a mark satisfies the requirement of reputation in part but not all of the EU, inforngement may still follow even in territory where the mark does not have a reputation if a "commercially significant part" (as opposed to a "substantial part") of the public in that state are aware of the mark in issue. In considering whether a repuation has been demonstrated, the court must take into account "all the relevant facts of the case". In particular, this includes the market share held by the trade mark, the intensity, geographical extent and duration of its use, and the size of the investment made by the undertaking promoting it, in each case (it is suggested) in respect of the goods and services relied upon."
(2) The use of a sign by a third party in the relevant territory. This requirement is, mutatis mutandis, the same as that considered in paragraph 22(1) above.
(3) The use of that sign by the third party in the course of trade. This requirement is, mutatis mutandis, the same as that considered in paragraph 22(2) above.
(4) The use of the sign by the third party without the consent of the proprietor of the trade mark. This requirement is, mutatis mutandis, the same as that considered in paragraph 22(3) above.
(5) The sign used by the third party must be identical with or similar to the trade mark. This requirement is, mutatis mutandis, the same as that considered in paragraph 22(4) above.
(6) The sign used by the third party must be in relation to goods or services. This is not the same as the requirement arising in relation to Article 9(2)(b) or section 10(2) in that it is broader: but nothing more need be said in relation to this requirement.
(7) A link, in the mind of the average consumer, between the sign of the third party and the trade mark of the proprietor. This is not the same as a likelihood of confusion as to origin, which is not a requirement. In Marca Mode v. Adidas, the CJEU stated:[31]
"The interpretation is not inconsistent with Article 5(2) of the Directive which establishes, for the benefit of well-known trade marks, a form of protection whose implementation does not require the existence of a likelihood of confusion. That provision applies to situations in which the specific condition of the protection consists of the use of the sign in question without due cause which takes unfair advantage of, or is detrimental to, the distinctive character or repute of the trade mark."
(8) That the infringement gives rise to injury. The injury must be one of three types:
(a) Detriment to the distinctive character of the trade mark;
(b) Detriment to the repute of the trade mark;
(c) Unfair advantage being taken of the distinctive character or repute of the trade mark.
(9) That the infringement is without due cause.
(4) Passing off
"(1) a reputation (or goodwill) acquired by the [claimant] in his goods, name, mark, etc.
(2) a misrepresentation by the defendant leading to confusion (or deception) causing
(3) damage to the [claimant]"
"(1) a misrepresentation
(2) made by a trader in the course of trade,
(3) to prospective customers of his or ultimate consumers of goods or services supplied by him,
(4) which is calculated to injure the business or goodwill of the trader (in the sense that this is a reasonably foreseeable consequence) and
(5) which causes actual damage to the business or goodwill of the trader by whom the action is brought."
E. INFRINGEMENTS IN THIS CASE
(1) The allegations: an overview
"From a precise date unknown to the Claimants but before the issue of the Claim Form herein and believed to have been from around the second quarter of 2015, the Defendants and each of them have used or threatened to use in the course of trade in the UK and/or in the EU the following signs and each of them, and other signs that also contain a representation of at least one polo payer with a polo stick on a pony…"
The "signs" referred to (in sub-paragraphs 24.1 to 24.3) are Greenwich Signs 1, 2 and 3 (as set out in paragraph 4 above). There is no allegation in relation to Greenwich Sign 4.
(1) The Particulars of Claim begin with allegations against the Copyrights Group (the First Defendant) in paragraphs 25.1 to 25.3 of the Particulars of Claim. I shall, obviously, return to consider these allegations, but it is fair to note that they are quite broad-brush and not very closely tied to actual infringing use in the course of trade. Essentially, they fall into two classes:
(a) A claim of primary infringement by the Copyrights Group, based upon its own actions.
(b) A claim of joint infringement, where the infringement of another has been authorised or forms part of a common design between that other and the Copyrights Group.[36]
(2) The same allegations are equally made against Mr Durbridge (the Second Defendant). Essentially, no distinction is drawn between the Copyrights Group and Mr Durbridge. Paragraphs 16 and 17 of the Particulars of Claim plead:
"16. The Second Defendant is and has been a director of the First Defendant at all times since it was incorporated. The website of the First Defendant (the Website) reached via the URLincludes a page entitled "About Us" which states that the Second Defendant is the "Chairman and CEO" of the First Defendant. Further, in a witness statement made in September 2017 and filed in response to an application to revoke certain UK trade marks owned by the Third Defendant, the Second Defendant described himself as the Chairman of the First Defendant, and its founder. He further stated that he had "experience and history in dealing with the [Third Defendant's] licensing programme".
17. The First and Second Defendants are referred to herein together as the CGL Defendants. The First and Second Defendants are jointly and severally liable for the acts of the CGL Defendants of which complaint is made herein for the reasons set out below under the heading "Joint Liability of the CGL Defendants"."
Pausing there, I do not consider that the potential liability of a company like Copyrights Group, contracted by the owner of a brand like Greenwich Polo Club to license and manage that brand, should automatically be equated with the potential liability of a director of that company. The two aspects are separate, albeit related, and must be considered separately. The basis for the joint and several liability of the CGL Defendants is then pleaded in paragraphs 35 to 37 of the Particulars of Claim:
"35. The First and Second Defendants are jointly and severally liable for the acts of the CGL Defendants of which complaint is made herein. In support of the foregoing allegation of this paragraph, and pending disclosure, further information and/or evidence, the Claimants will rely in particular on the following facts and matters:
35.1 The facts and matters set out in paragraph 16 herein.
35.2 The fact that the First Defendant is stated on the terms and conditions page of the Website to be the company that operates the Website.
35.3 The fact that the licences between the First Defendant and each of the Fourth to Eighth Defendants was signed by the Second Defendant.
35.4 The fact that the Second Defendant was the person within the First Defendant who made all the decisions in respect of the grant of licences in respect of the Signs, as illustrated by his signature on each such licence, and by the email from Tracy Casabere of the First Defendant to Mirna Keshishian of the Fourth Defendant on 31 March 2017 at 10:26 in which she indicated that she could only approve a deal for Spain because she had spoken to the Second Defendant, referred to therein as Nicholas, and he had approved that deal…
36. In light of the facts and matters set out in paragraphs 35.1 to 35.4 above, it is inferred that the Second Defendant is the guiding mind of the First Defendant. Each of the acts of the First Defendants are undertaken personally by the Second Defendant, are authorised and/or procured by him, and/or he had engaged in a common design with the First Defendant to secure that the acts of which complaint is made herein took place, knowing and intending in each case that such acts should take place.
37. In the premises, the First and Second Defendants are jointly and severally liable for the acts of trade mark infringement and passing off of the CGL Defendants of which complaint is made herein, including the joint and several liability of the CGL Defendants for the acts of the Fourth to Eighth Defendants."
(3) Greenwich Polo Club (the Third Defendant) is said to be "jointly and severally liable for the acts of each of the other Defendants of which complaint is made herein for the reasons set out in paragraphs 25.3.1 and 25.3.2 above. These paragraphs provide as follows:
"25.3 The CGL Defendants are jointly and severally liable for each of the acts of the Fourth to Eighth Defendants of which complaint is made herein and each of them because:
25.3.1 By entering into licence agreements with each such Defendant, the CGL Defendants authorised and/or procured the acts of each such Defendant of which complaint is made herein and each of them; and/or
25.3.2 By entering into licence agreements with each such Defendant, the CGL Defendants entered into a common design with each such Defendant to secure that the acts of that Defendant of which complaint is made herein and each of them took place. In each case, the CGL Defendants knew and intended that their acts would lead to the acts of each such Defendant of which complaint is made herein."
(4) It is quite clear that this pleading seeks to spread the web of liability extremely wide, both in terms of the persons it seeks to ensnare and the territory it seeks to embrace, for paragraph 24 of the Particulars of Claim[37] expressly pleads infringements or threatened infringements "in the course of trade in the UK and/or in the EU". Yet the facts and matters pleaded in the first instance concern an accessory liability arising out of the primary infringing conduct of D5, D6, D7 and D8. This is only pleaded at paragraphs 25.6 to 25.9 of the Particulars of Claim. It is necessary – even though the claims against these defendants have been stayed – to begin with these claims, for only then can the claims against the First, Second and Third Defendants properly be understood.[38]
(2) The case against D5, D6, D7 and D8
(i) The allegations
(ii) The defence of the First, Second and Third Defendants
"The services offered by the First [and] Third…Defendants,[42] namely the granting of trade mark licences and the arrangement of merchandising agreements, are offered to sophisticated commercial businesses who themselves arrange for the manufacture of the goods or even sub-licence. The average consumer of those services pays a high degree of attention prior to entering into an agreement and entering into an agreement is the result of many discussions and negotiations. A high degree of attention is paid in relation to these services from the outset. The goods sold by the Fifth to Eighth Defendants are ordinary consumer items and the average consumer would be reasonably circumspect and observant."
The thrust of the First, Second and Third Defendants' defence was that any use by D5, D6, D7 and D8 of Sign 3, licensed pursuant to agreements made, did not amount to an infringement of the Claimants' rights because the necessary requirements for infringement under the law set out in Section D above were not met. There was, thus, a high degree of agreement (or, at least, an absence of dispute) in relation to the facts. The real dispute concerned the application of the law to those substantially undisputed facts.
(iii) The facts
Defendant |
Goods in issue
|
Geographic area |
Sign used |
Specifics of infringement |
Date and value of sales (where pleaded) |
D5 |
T shirts (male and female) Polo shirts (male and female) Shirts (male) Sweatshirts (male) |
Greece Cyprus Bulgaria |
Greenwich Sign 3 |
Including on labels, packaging, business papers, advertising |
2016 US$505,059 |
D6 |
Towels Bathrobes Bath mats Sheets Blankets Quilts Bedspreads |
Greece Cyprus |
Greenwich Sign 3 |
Including on labels, packaging, business papers, advertising |
2015-2016 US$71,831 |
D7 |
Sofa throws Bedding |
Greece Cyprus |
Greenwich Sign 3
|
Including on labels, packaging, business papers, advertising |
Not pleaded |
D8 |
Towels Sheets Pillow cases Pillows Mattress protectors Pillow protectors Beach towels |
Greece |
Greenwich Sign 3 |
Including on labels, packaging, business papers, advertising |
2015-2016 US$934,939 |
Table 1: Findings as to use of Greenwich Signs by D5 to D8
(iv) Infringement under Article 9(2)(b) and/or section 10(2)
(1) Use of the sign within a relevant territory
"28. However, none of the licensees based in the EU have ever sold any products in the EU bearing or utilising [Greenwich] Signs 1, 2 or 4. All products that have been sold by them in the EU (including packaging bags given to customers who purchase a [Greenwich Polo Club] product use [Greenwich] Sign 3. I am informed by Edwin Coe that the Claimants' Particulars of Claim states that the Defendants have offered or exposed goods for sale and/or put them on the market in the UK and in the EU under [Greenwich] Signs 1, 2 and 4. However, this is not true.
29. Indeed, Sign 4 has not been used at all, whether on products or as part of any promotion or marketing. As a result of the suddenly aggressive approach taken by Lifestyle Equities starting in 2015, it was thought that the time was right to design a new logo which was even further away than ever from [the Logo]. [Greenwich] Sign 4 was the result – two horses facing left with the words 'GREENWICH POLO CLUB' as prominent as ever."
(2) Use in the course of trade
(3) Use without consent
(4) Identical or similar
"17 …For the purposes of this trial, [the Claimants] will ask the Court to make findings of infringement from the use of the following two signs:
17.1 First, a Sign that consists of the figurative elements of [Greenwich Signs 1 and 2] without associated words. Use or threatened use of that figurative element of Signs 1 and 2 alone is shown at e.g., A/2/A79 and on proposed items of eyewear (e.g. C/A34/C1487, with prototype at C1521). [The Claimants] consider that [it] has the appearance shown below…"
There is then set out an image of Greenwich Sign 1 or Greenwich Sign 2 with all elements removed, save for the figurative element comprising a single polo horse with rider and mallet. Continuing with the rest of paragraph 17:
"17.2 Secondly, the figurative element of [Greenwich] Sign 3 without associated words. Use or threatened use of that figurative element of [Greenwich] Sign 3 alone is shown, e.g. on the mulitcoloured t-shirts on A/2/A68. It has the following appearance…"
There is then set out an image of Greenwich Sign 3, again with all elements removed, save for the figurative element comprising an image of two polo horses with riders and mallets.
(1) The pleadings make no such claim of infringement, and are confined to alleged infringements by use of Greenwich Signs 1, 2 and/or 3, no allegations being advanced in relation to Greenwich Sign 4. As I have indicated, Greenwich Sign 3 is the only sign that I find used by D5, D6, D7 and/or D8.
(2) The reference to "proposed items of eyewear"[44] is something that I will return to, but I should be clear that there is no evidence of actual or threatened use of any sign of Greenwich Polo Club by D5, D6, D7 or D8 in connection with eyewear. To the extent that such an allegation was made by the Claimants, I reject it as being unsupported by the evidence. To the extent that such an allegation arose in connection with a proposed licensing of the Greenwich Signs in connection with eyewear by the Copyrights Group to persons other than D5, D6, D7 or D8, I deal with that further below.
(3) Paragraph 17 does refer to use of the figurative elements alone in other contexts. I have considered these. The image at A/2/A79 is of a single polo horse, with rider and mallet on a bedspread. It is not a mark at all, but purely a decorative image that no-one could sensibly regard as a badge of origin or reputation. The image at A/2/A68 is even more "arty" and decorative, being a single colour melange of two polo ponies and rider. These images are not trade marks at all.
I return, therefore, to the question of whether Greenwich Sign 3 is similar to the Logo, regarding both marks as a whole, including both figurative and word elements.
(1) The figurative elements are different. I should say, at the outset, that I regard the figurative part of both the Logo and Greenwich Sign 3 as the least significant element of these marks. The fact is that the rider (or riders) on a polo horse (or horses) with polo mallet (or mallets) does not do anything more than evoke the sport of polo. This is not a case of a Nike "swoosh" or some other purely figurative sign that links to or evokes a particular brand or producer. As Mr Durbridge makes clear in his evidence, many brands, clubs and entities deploy the polo horse and rider motif in their branding, but always with an additional word element to designate club, origin or brand.[45] The Claimants objected to this evidence on the ground that all that was in issue was the similarity (or otherwise) between the Logo and Greenwich Sign 3, and the resultant risk of confusion to consumers.[46] That of course is right, but irrelevant. The point being made by the Defendants was that the polo horse and rider motif was generic as a reference to the sport in general, and not to any particular brand. The Defendants put the point as follows in their written opening submissions:
"11. [The Claimants] object to all the Signs. Their position appears to be that any branding with a polo player on a horse infringes, however many horses and whichever way they are facing. [The Claimants] consider their exclusive monopoly to extend to parties who "imitate the appearance, the spirit and the style of the Brand"…
12. [The Defendants'] position is that the respective marks are not similar enough,[47] but there is also no likelihood of confusion because there is a crowded and well-developed market for consumer items, in particular clothing, using logos of polo players on horses. Consumers will be familiar with there being various brands on the market and appreciate that not all of them come from the same brand owner. Polo Ralph Lauren being a well-known example.
13. [In Greenwich Polo Club's] case, it is a polo club and making a connection with that polo club in its branding does not deceive or confuse the public. It is not as though Greenwich Polo Club is trying to copy Beverly Hills. That would be absurd…"
The point is that the polo horse and rider motif, on the evidence I have seen, adds nothing to the distinctiveness of the Logo, save to make clear that there is a generic link to polo and to sport.
(2) In these circumstances, the point made by the Defendants that Greenwich Sign 3 is actually – considering only the figurative element, and disregarding the context I have described – not similar to the figurative element in the Logo is correct but of secondary importance. Nevertheless, it is a point I accept. The visual dissimilarities between the two figurative elements are too great to give rise to much similarity. Thus:
(a) The Logo concerns a single, mounted rider, mallet aloft and about to swing, riding left to right across the page.
(b) Greenwich Sign 3 concerns two riders, both mallets aloft, clearly competing for the ball, riding towards the reader, off the page.
The Defendants described the similarity of the figurative element as being very low.[48] Given the differences I have described, that is a submission I accept.
(3) The figurative element must be considered with the word element. The word element in the Logo and the word element in Greenwich Sign 3 are, self-evidently, very different. That is the point of the text, as any consumer would understand:
(a) In the first instance, the wording is in different fonts and differently presented:
(i) In the Logo, the words "Beverly Hills" comprising an arch over the horse and rider, with the words "Polo Club" in a straight line below (all words being capitalised).
(ii) In Greenwich Sign 3, the words "Greenwich Polo Club" appear in a capitalised block below the figurative element.
(b) But that is not, to my mind, the critical distinction. The critical distinction is that the words – "Beverly Hills" in one case, and "Greenwich" in the other – actively seek to differentiate between different originators. In the case of the Defendants, what is indicated is the club of the Third Defendant, the Greenwich Polo Club. In the case of the Claimants, it is the "authentic" lifestyle brand represented by the products sold under the Brand, detached from any real polo club. Mr Haddad was careful to disavow any connection with any actual polo club.[49] The Brand is a confected brand, drawing on the luxury of Beverly Hills and the glamour of the sport "of Kings", without having very much to do with either.
(4) The short point is that it is the word element that is the critical part of both the Logo and Greenwich Sign 3, and this element is not similar but orally, visually and conceptually very different.
(5) In paragraphs 81 to 84 of their written opening submissions, the Claimants sought to minimise the distinctiveness of the word element by suggesting that in the relevant territories – Greece, Cyprus and Bulgaria – the everyday language of consumers uses a different alphabet. I accept that, but it is difficult to see where the point goes. In the Greek and Cyrillic alphabets, the words "Polo Club" are, when translated, the same; but the words "Beverly Hills" and "Greenwich" are different in translation – making the very point that I am labouring, namely that these words, and the links and concepts that they reference, are very different. It seems to me that this point adds nothing.
(5) Identical goods or services
(6) Likelihood of confusion
Conclusion
(v) Infringement under Article 9(2)(c) and/or section 10(3)
(2) Use of a sign by a third party in the relevant territory
(3) Use of a sign by a third party in the course of trade
(6) Use of the sign in relation to goods and services
(4) Use of the sign without consent
(5) Identical or similar
(1) Enhanced reputation
(7) A link in the mind of the average consumer
(8) Injury
(1) It is, of course, clear, that the Claimants need to show a reputation in respect of the goods they rely upon in respect of the particular markets where it is said infringement has occurred.
(2) I am thus concerned with the items of clothing and household furnishings listed in Table 1 in the three territories there identified, Greece, Cyprus and Bulgaria. The evidence in support of enhanced reputation in relation to these goods in these territories was trifling. I am quite prepared to accept that these goods of this kind were sold and marketed in these territories, bearing the Logo, but I was actually provided with very little more than some marketing materials and some evidence as to volume of sales and/or sales revenue. Apart from this, the Claimants relied upon global factors (like "high end" retail outlets in other territories), plus evidence of a global reputation (although the Claimants were not very good at differentiating between their Residual Territories and the US and Asian Territories).
(3) Of course, I accept that a global reputation both can derive from reputations in many specific territories and can then enhance a reputation in specific territories where it is perhaps less well established "on the ground". But that sort of reputation must be proved, and I am afraid that I was furnished with no sense that the fact that (by way of example) "[t]he Brand has over 50 flagship stores in the Middle East, India and Egypt, including in malls in Dubai including Dubai Festival City, Al Ghurair Center, Burjaman and Ibn Battuta Mall"[50] had any impact whatsoever on reputation in Greece, Cyprus and Bulgaria. I had no evidence of any kind of link in the mind of the average consumer and – from the frankly peripheral evidence of reputation provided – I am disinclined to infer that any such link existed, particularly given the very different nature of the signs in issue.
Conclusion
(vi) Passing off
(3) The case against the Defendants
(i) Approach
(ii) The First Defendant, the Copyrights Group
"4. The Copyrights Group was incorporated in 1984. I was the Chairman and until 2016 also the CEO of the company.
5. The Copyrights Group is a boutique international licensing agency representing writers, artists and brand owners. Since 1984, we have been well known for representing prestigious British children's properties such as Paddington Bear, The Snowman, and Peter Rabbit, as well as brands such as the British Museum and Marie Claire Magazine. The Copyrights Group has historically been seen as one of the leading global licensors. For example, in April 2000, the License magazine listed Copyrights Group at number 25 (behind Coca Cola at number 24) with projected retail sales of the licensees' licensed goods (including from Peter Rabbit, Spot, Brambly Hedge, Paddington Bear, Maisy and others) at US$1 billion. In the April 2002 Licence magazine, Copyrights Group was listed as number 22 of the top 100 leading licensors with licensing sales of US$1 billion (which was just behind Coca Cola, which was listed as number 21, with licensing sales also of US$1 billion)…
6. From 1984 until 2007, the Copyrights Group evolved and was the main holding company for a number of international subsidiaries. We had offices in the UK, Germany, Spain, United States of America, Japan and Australia and outside those territories we operated through sub-agents. Gradually, as the internet increasingly affected the way business was conducted, the overheads of maintaining separate offices internationally could not be justified and so by 2007 we only had the UK and Australian offices. The Copyrights Group was part of a bigger media organisation from 2007 until 2011, when it was purchased by Chorion plc, and again, and currently from 30 June 2016 when it was purchased by Studiocanal SA and then subsequently acquired by Vivendi Village SA on 31 December 2016. Both Studiocanal SA and Vivendi Village SA are part of the Vivcendi Media Group of France.
7. Although the Copyrights Group has been the exclusive global representative of Greenwich Polo Club…since 20 July 1999, the Greenwich Polo Club…brand forms a very small part of the Copyrights Group's overall business."
(1) The Claimants refer to the Copyrights Group's reference to certain of the Greenwich Signs in revocation or opposition proceedings before EUIPO.[52] I am satisfied that the invocation of even an identical sign in such proceedings cannot constitute an infringement of the rights of the Claimant in the Logo. The whole point of such proceedings is to establish or vindicate the rights of the parties to such proceedings, and it would be wrong for such use, in the course of litigation, to be precluded or constrained by a separate infringement action. Parties ought to be free to advance such points as they are advised before tribunals tasked with evaluating the validity or otherwise of rights asserted.
(2) The Claimants also rely upon the Copyrights Group's conduct of its usual business in seeking to promote the business or brand of Greenwich Polo Club. Thus, by way of example, paragraph 25.1.2 of the Particulars of Claim pleads:
"Sought licensees for goods to be sold under and by reference to the [Greenwich Signs] and each of them in all countries in the EU, including in the UK, by:
25.1.2.1 Advertising the Signs to potential licensees on the Website;
25.1.2.2 Procuring an entry promoting the Signs to potential licensees in "The Licensing Source Book Europe" from Autumn 2014;
25.1.2.3 Attending the Brand Licensing Europe trade shows in October 2015 and October 2016, and prominently displaying references to the Signs on their stand at that show in order to attract licenses;
25.1.2.4 Frequently communicating with the trade press (including in particular the publications or publishers Max Publishing, Total Licensing, License Global, Licensing Biz, Lema Publishing, Licensing World and Amaze Marketing Limited) to promote the Signs to potential licensees;
25.1.2.5 Appointing the Fourth Defendant as an agent to obtain licensees in Greece and Cyprus; and
25.1.2.6 Communicating with international agents in an effort to generate new licensees."
These activities are very far removed from a third party using a sign similar to that of the Logo in the course of trade. The trade, in order to be relevant for present purposes, cannot be the trade of that of a brand agent such as the Copyrights Group: the Claimants' marks are not registered in relation to such services. What we are here concerned with is infringement by the use of signs similar to that of the Logo in respect of classes of goods in relation to which the Claimants have some form of protection. Of course, I accept that "use in the course of trade" goes well beyond the use of a mark on the actual goods in question: it will extend to swing-tags, packaging, invoices and order documentation, as well as advertising. But what the Claimants are relying on are merely preparatory steps done in order to promote either its own business (i.e., getting in new licencees and/or the owners of new brands) or that of its clients (by which I mean getting new licensees for brand owners who are clients), and I would require pleadings of altogether more specific nature and considerably more cogent evidence for this part of the Claimants' case even to get off the ground. In particular:
(a) Paragraph 25.1.2 of the Particulars of Claim suggests that the promotional steps there described concerned only Greenwich Polo Club. I am satisfied, having heard Mr Durbridge, that this suggestion is simply wrong. At trade shows and in the trade press, the Copyrights Group was promoting its business generally. This point was made by Mr Durbridge during cross-examination, but he was really only confirming his written evidence:[53]
"120. As I have already mentioned above, the Copyrights Group acts for a number of brands and franchises, including most notably, Paddington Bear. I have been involved with the licensing of Paddington Bear right from the beginning with Gabrielle Designs (founded by Eddie and Shirley Clarkson and who are the parents to the TV presenter Jeremy Clarkson) being the first licensee in 1972 following a copyright infringement dispute when they produced toy bears without the approval of the owner of the rights. Due to my involvement with the Paddington Bear brand, I was appointed as a Director of Paddington and Company Limited which owned the intellectual property rights to Paddington Bear in which I served as Director from 1977 up until 30 June 2016.
121. The Paddington Bear brand comprises a large proportion of the Copyrights Group's business and, as mentioned previously, the [Greenwich Polo Club] brand forms a tiny proportion of Copyright Group's operations and business. The Copyrights Group has also acted for a number of other well-known brands, such as Beatrix Potter, which has also served to limit the time spent on the [Greenwich Polo Club] brand and it takes up a very small proportion of my time….
122. An article by the Copyrights Group written in 2004 as an insert to a trade magazine celebrating Copyrights Group's last 20 years of history was included in the Defendants' disclosure as No 52. The article largely refers to Paddington Bear and there is only a notional mention of [Greenwich Polo Club]. There was not a lot of coverage for [Greenwich Polo Club] in the article because, quite simply, [Greenwich Polo Club] only represents a small fraction of the Copyright Group's business."
(b) Furthermore, there is a complete lack of specificity, on the Claimants' part, as to precisely how the manner in which the Copyrights Group, by its conduct, infringed the Claimants' rights. Reference is made to the "Signs" generally, but I am not satisfied that there was any use of a Greenwich Sign that infringed the Claimants' rights. The closest that the Claimants come is in the case of the proposed licensing of eyeware, where Mr Durbridge says this:[54]
"For example, New View Idea, licensee based in the United Arab Emirates (and in which the license agreement was entered into on 7 August 2017) was licensed to produce sunglasses, optical frames, lenses and cases, but they had particular difficulty with the [Greenwich Polo Club] branding and the use of the [Green Polo Club] logo on glasses and sunglasses, due to the limited space available on them on the arms of a pair of glasses to place a logo. I am aware that they produced designs with [Greenwich] Signs 1, 2 and 3 (or variations of them) and produced samples with Signs 1 and 3, but we have not seen any evidence or received royalty statements showing any actual sales in the EU or elsewhere. As far as I am aware, no products from New View Idea have been sold or produced in the EU."
I accept this evidence. This is a clear example of the Copyrights Group seeking to evolve Greenwich Polo Club's brand, and I am satisfied that in doing so, the Copyrights Group in general, and Mr Durbridge in particular, would have been concerned and astute to avoid infringing the intellectual property rights of others. As I have described in paragraph 38 above, the Greenwich Signs have evolved precisely in order to avoid disputes of this kind, and I accept that the Copyrights Group would "experiment" with logos to see what worked and what did not work with any given product. Part of that consideration would involve the risk of someone alleging infringement, and I find that Mr Durbridge and the Copyrights Group would be concerned to avoid such allegations.
(c) Having considered the New View Idea material during the course of the trial, it is clear to me (and I so find) that where practically possible Greenwich Sign 3 (which, as I have found, does not infringe the Claimants' rights in the Logo) was used, for instance on stands and such-like. Where this was not possible – because the Sign simply did not fit on the arms of the glasses – a variant on the Sign 3 theme was used, using both the figurative and word elements that I have described.
(1) The claim of accessory liability based upon infringements by D5 to D8 fails for the reasons given in Section E(2) above.
(2) The attempt to create a primary claim against the Copyrights Group fails for the reasons given in previous paragraphs.
The claims against the Copyrights Group all fail.
(iii) The Third Defendant, Greenwich Polo Club
"The Third Defendant is jointly and severally liable for the acts of each of the other Defendants of which complaint is made herein for the reasons set out in paragraphs 25.3.1 and 25.3.2 above."
(iv) The Second Defendant, Mr Durbridge
(1) The relevant law – in general terms – is set out in Clerk & Lindsell:[55]
"…the agent who commits a tort on behalf of his principal and the principal himself are joint tortfeasors; so are the employee who commits a tort in the course of his employment and his employer (even if the employer became insolvent before the time of the trial); so are an independent contractor who commits a tort and his employer, in those cases in which the employer is liable for his independent contractor. Equally, a parent company and its subsidiary may be regarded as joint tortfeasors in respect of loss or injury suffered by employees of the subsidiary so long as a supervisory duty is borne by the parent company. But the mere fact that a parent company appoints a director of the subsidiary who holds responsibility for health and safety matters in that company is not enough to attach liability to the parent company. He would need to be acting not just as a director of the subsidiary, but also on behalf of the parent in order for this to be the case. Finally, a company director and the company itself may be regarded as joint tortfeasors where the director "is sufficiently bound up in [the company's] acts" to make him personally liable. This will certainly occur where the wrongful acts complained of arise from a director's participation in a manner that goes beyond the mere exercise of his power of control through the constitutional organs of the company. An example is where he facilitates the breach of a design right with a view to enabling a breach of that right to occur. Apart from these instances, concerted action is required. Where one person instigates another to commit a tort, they are joint tortfeasors; so are persons whose respective shares in the commission of a tort are done in furtherance of a common design. However, it is important to appreciate that although mere facilitation of the commission of a tort will not suffice, a sufficient common design may nonetheless be held to exist where D1 makes a more than de minimis contribution to the commission of a tort by D2…"
(2) In the case of a company and a director or other agent of the company, the separate legal personality of the company gives rise to difficulties. Where the act of a natural person is not merely attributed to another, legal, person, but actually is the act of that legal person, because the legal person cannot act by itself, then it is difficult to see how the same act can be used to create a joint liability in both the legal and natural person. Equally, where a person is regarded as the "controlling mind" of the company, that is in order to create liability in the company (whether by the attribution of knowledge or otherwise) where a "mental element" is a pre-requisite. Again, it is difficult to see how the same – single – state of mind can result in joint liability.
(3) Accordingly, the position of Mr Durbridge raises particular difficulties. The Claimants contended that this was not so, and referred me to the decision of the Court of Appeal in MCA Records Inc v. Charly Records Ltd.[56] The Claimants contended that, by a straightforward application of the principles in this case, Mr Durbridge was a joint tortfeasor. In fact, the answer is by no means so clear-cut, for MCA Records contains a careful articulation of the difficulties in this area:
"47. In Mentmore Manufacturing Co Ltd v. National Merchandising Manufacturing Co Inc, (1978) 89 DLR (3d) 195, the Federal Court of Appeal of Canada described the question whether, and if so in what circumstances, a director should be liable with the company as a joint tortfeasor as "a very difficult question of policy". At page 202, Le Dain J delivering the judgment of the court, said this:
On the one hand, there is the principle that an incorporated company is separate and distinct in law from its shareholders, directors and officers, and it is in the interests of the commercial purposes served by the incorporated enterprise that they should as a general rule enjoy the benefit of limited liability afforded by incorporation. On the other hand, there is the principle that everyone should be answerable for his tortious acts.
Plainly, it is necessary, in the individual case, to achieve a balance between those two considerations. Equally plainly, the judge appreciated that. As he put it in paragraph 15 of his judgment: "inquiries into the matter will or may involve an 'elusive question' turning on the particular facts of the case, and whose resolution may in turn involve the making of a policy decision as to the side of the line on which the case ought to fall."
48. It is because there is a balance to be struck on the facts of each case that it is dangerous for an appellate court to appear to attempt a formulation of the principles which may come to be regarded as prescriptive. But I think it can be said with some confidence that the following propositions are supported by the authorities to which I have referred.
49. First, a director will not be treated as liable with the company as a joint tortfeasor if he does no more than carry out his constitutional role in the governance of the company – that is to say, by voting at board meetings. That, I think, is what policy requires if a proper recognition is to be given to the identity of the company as a separate legal person. Nor, as it seems to me, will it be right to hold a controlling shareholder liable as a joint tortfeasor if he does no more than exercise his power of control through the constitutional organs of the company – for example by voting at general meetings and by exercising the powers to appoint directors. Aldous LJ suggested, in Standard Chartered Bank v. Pakistan National Shipping Corporation (No. 2), [2000] 1 Lloyd's Rep 218, 235 – in a passage to which I have referred – that there are good reasons to conclude that the carrying out of the duties of a director would never be sufficient to make a director liable. For my part, I would hesitate to use the word "never" in this field; but I would accept that, if all that a director is doing is carrying out the duties entrusted to him as such by the company under its constitution, the circumstances in which it would be right to hold him liable as a joint tortfeasor with the company would be rare indeed. That is not to say, of course, that he might not be liable for his own separate tort, as Aldous LJ recognised at paragraphs 16 and 17 of his judgment in the Pakistan National Shipping case.
50. Second, there is no reason why a person who happens to be a director or controlling shareholder of a company should not be liable with the company as a joint tortfeasor if he is not exercising control though the constitutional organs of the company and the circumstances are such that he would be so liable if he were not a director or controlling shareholder. In other words, if, in relation to the wrongful acts which are the subject of complaint, the liability of the individual as a joint tortfeasor with the company arises from his participation or involvement in ways which go beyond the exercise of constitutional control, then there is no reason why the individual should escape liability because he could have procured those same acts through the exercise of constitutional control. As I have said, it seems to me that this is the point made by Aldous J (as he then was) in PGL Research Ltd v. Ardon International Ltd, [1993] FSR 197.
51. Third, the question whether the individual is liable with the company as a joint tortfeasor – at least in the field of intellectual property – is to be determined under principles identified in CBS Songs Ltd v. Amstrad Consumer Electronics plc, [1988] AC 1013 and Unilever plc v. Gillette (UK) Limited, [1989] RPC 583. In particular, liability as a joint tortfeasor may arise where, in the words of Lord Templeman in CBS Songs v. Amstrad at page 1058E to which I have already referred, the individual "intends and procures and shares a common design that the infringement takes place".
52. Fourth, whether or not there is a separate tort of procuring an infringement of a statutory right, actionable at common law, an individual who does "intend, procure and share a common design" that the infringement should take place may be liable as a joint tortfeasor. As Mustill LJ pointed out in Unilever v. Gillette, procurement may lead to a common design and so give rise to liability under both heads."
(4) The Claimants contended that the exception described at [49] of MCA Records did not apply, and that Mr Durbridge's activities went beyond his constitutional role in the governance of the Copyrights Group. Unfortunately the facts and matters relied upon are pleaded with such vagueness[57] that is it very difficult to understand precisely what is relied upon. More specifically:
(a) If and to the extent that it is suggested that Mr Durbridge was the "controlling mind" of the Copyrights Group, I confess that I have some difficulty in understanding how and why this is relevant to Mr Durbridge's status as a joint tortfeasor. The fact is that the "controlling mind" doctrine is relevant when seeking – as I have said – to attribute a state of mind, including knowledge, to a company. It is not a means to imposing joint tortious liability on an agent of the company. I should make clear that I am making no finding that Mr Durbridge was the "controlling mind", merely that if he was, I do not regard that as a particularly material point.
(b) Of course, it is true that Mr Durbridge acted as the agent of the Copyrights Group, and it is clear that he did a number of acts for and on behalf of the Copyrights Group, notably in signing contracts with licensees.[58] Mr Durbridge was at pains to point out that the company acted through others, as well as himself, and that his role beyond signing the agreements was relatively small.[59] He denied engaging in a "common design" with the Copyrights Group, and denied being the Copyrights Group "guiding mind".
(5) In analysing the position of Mr Durbridge, there is the fundamental difficulty that I have concluded that the Copyrights Group has not infringed the Claimants' rights in the Logo. That being my conclusion, it is somewhat artificial to consider independently the liability of Mr Durbridge. However, it does seem to me that even if the conduct of the Copyrights Group amounted to an infringement of the Claimants' rights, I would require some persuading that the limited activity of Mr Durbridge rendered him liable as a joint tortfeasor. In particular, it seems to me that the mere signing of contracts on behalf of the company – which, of course, results in only the company assuming an obligation – is a tenuous basis for a contention that Mr Durbridge was a joint tortfeasor with the company. Equally, the references to Mr Durbridge's role in the Copyrights Group – as stated on the Website – are unrelated to the Greenwich Polo Club and the Greenwich Signs, and merely described Mr Durbridge's role generally.
F. CONCLUSIONS AND DISPOSITION
TERM/ABBREVIATION |
FIRST USE IN THE JUDGMENT |
Act |
§20(2) |
Amoore 1 |
§11(1)(b) |
Amoore 2 |
§11(1)(b) |
Asian Territories | |
Berrington 1 |
§11(1) |
Brand |
§12 (in quotation) |
Castro 1 |
§10(1) |
CGL Defendants |
§29(2) (in quotation) |
Claimants | |
Copyrights Group |
§3(4) |
D5 |
§3(1) |
D6 |
§3(1) |
D7 |
§3(1) |
D8 |
§3(1) |
Davis 1 |
§10(3) |
Defendants |
§3(3) |
Durbridge 1 |
§10(2) |
EUTMs | |
figurative element | |
Greenwich Polo Club |
§3(4) |
Greenwich Sign 1 |
§4(1) |
Greenwich Sign 2 |
§4(2) |
Greenwich Sign 3 |
§4(3) |
Greenwich Sign 4 |
§4(4) |
Greenwich Signs | |
Haddad 1 | |
Kerly |
§22 footnote 11 |
Logo | |
Miles 1 |
§10(6) |
Moreland-Lynn 1 |
§10(4) |
Morrison 1 |
§10(5) |
Mr Durbridge |
§3(4) |
Regulation |
§20(1) |
Residual Territories | |
UK Trade Marks | |
US Territory | |
Website |
§29(2) (in quotation) |
word element |
Note 1 The terms and abbreviations used in this judgment are listed in Annex 1 hereto, which sets out the paragraph in the judgment where the term/abbreviation is first used. [Back] Note 2 The reason the witness statements are so old is that the trial of this matter was adjourned (on the application of the parties) due to COVID-19. [Back] Note 7 Haddad 1/§10. Self-interest would drive such co-operation, but the fact of the independence of the three Brand owners is, perhaps, underlined by the fact that Mr Haddad has litigated issues not necessarily against his brothers but certainly where they have been aligned against him on the other side. SeeLifestyle Equities CV v. Amazon UK Services Ltd, [2021] EWHC 118 (Ch), in particular at [9]. [Back] Note 8 Paragraph 31 of the Particulars of Claim. [Back] Note 9 Paragraph 32 of the Particulars of Claim. [Back] Note 10 Paragraphs 33 and 34 of the Particulars of Claim. [Back] Note 11 SeeInterflora Inc v. Marks & Spencer, [2015] ETMR 5 at [68]; summarised in Mellor et al, Kerly’s Law of Trade Marks and Trade Names, 16th ed (2018) (Kerly), [16-081]. [Back] Note 12 Kerly, [16-033]. [Back] Note 13 Kerly, [16-034]. [Back] Note 14 See Kerly, [16-032]. [Back] Note 15 Kerly, [16-086]. [Back] Note 16 Kerly, [11-052]. [Back] Note 18 Kerly, [11-054]. [Back] Note 19 Kerly, [11-055]. [Back] Note 20 Kerly, [11-057]. [Back] Note 21 Kerly, [11-056]. [Back] Note 22 Kerly, [11-058]. [Back] Note 23 [2013] EWHC 1291 at [224]. [Back] Note 24 Kerly, [16-084]. [Back] Note 25 [2009] ETMR 58 at [23]. [Back] Note 27 Kerly, [11-060]. [Back] Note 28 [2012] EWCA Civ 24 at [52]. [Back] Note 29 See Kerly, [16-108]. [Back] Note 30 Kerly, [16-111]. [Back] Note 31 [2000] ECR I-4861 at [36]; Kerly, [11-107]. [Back] Note 34 See paragraphs 3(3) and (4) above. [Back] Note 35 See paragraph 22(2) above. [Back] Note 36 See, for example, the law stated inLifestyle Equities CV v. Santa Monica Polo Club Ltd, [2020] EWHC 688 (Ch). [Back] Note 37 Quoted in paragraph 26 above. [Back] Note 38 I recognise that paragraphs 25.1.1 to 25.1.3 do appear to plead a primary liability in the Copyrights Group based upon its conduct as manager and licensor. But it is very difficult to separate the primary and secondary liability alleged, and it is certainly clearer analytically to consider the position of D5, D6, D7 and D8 first. [Back] Note 39 Specifically, Annexes 4 and 5 relate to D5; Annexes 6 and 7 relate to D6; Annexes 8 and 9 relate to D7; and Annexes 10 and 11 relate to D8. [Back] Note 40 See paragraph 19 of the Defence. [Back] Note 41 See paragraph 19 of the Defence: Greenwich Sign 4 is not specifically referenced, for reasons that I will come to. [Back] Note 42 The pleading contains reference to the Fourth Defendant who, as I understand it, was a sub-licensor: for the reasons given in paragraph 3(2) above, I do not propose to consider the position of the Fourth Defendant and have omitted reference to the Fourth Defendants as making no material difference to the issues arising in this dispute. [Back] Note 43 Emphasis is supplied. [Back] Note 44 Emphasis added. [Back] Note 45 Durbridge 1, paragraphs 52ff. [Back] Note 46 Paragraphs 70ff of the Claimants’ written opening submissions. [Back] Note 47 This point is considered further below: for the present, I am considering the anterior point regarding the significance of the polo and horse rider motif generally. [Back] Note 48 Paragraph 48 of their written opening submissions. [Back] Note 49 I understand that there is a Beverly Hills polo club, but that (apart, perhaps, from sponsorship) has nothing to do with the Claimants. [Back] Note 50 To quote from paragraph 64 of Haddad 1. I stress this was one of many points made by Mr Haddad in paragraphs 35ff of Haddad 1, all of which I have considered. [Back] Note 52 See paragraph 25.1.1 of the Particulars of Claim. Both parties relied upon contentions and findings in other proceedings. Unless binding or persuasive on legal points – and no-one contended that these decisions were – these decisions were, as it seems to me, irrelevant to the matters in issue before me. [Back] Note 54 Paragraph 33 of Durbridge 1. [Back] Note 55 Jones (ed), Clerk & Lindsell on Torts, 23rd ed (2020) at [4-04]. [Back] Note 56 [2001] EWCA Civ 1441 [Back] Note 57 See paragraph 16 of the Particulars of Claim, where Mr Durbridge’s role within the Copyrights Group is set out. [Back] Note 58 It is quite clear – from, for example, the evidence of Ms Castro – that Mr Durbridge engaged with Greenwich Polo Club on behalf of the Copyrights Group. But he was not the only counterparty to do so. [Back] Note 59 Durbridge 1 at paragraphs 123 to 125. [Back] Note 60 I.e., Regulation (EU) No 1215/2012 of the European Parliament and of the Council of 12 December 20212. [Back] Note 61 See paragraph 1 of the prayer to the Defendants’ counterclaim. [Back]